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| Monument
BY
IAN GRAHAM
A
personal review by Greg Hamerton
A great cover with dark, gold, and an intriguing jewel. That's why I
picked it up.
Reading the blurb, I see 'He (our hero) is fit only for an unmarked
grave'. Excellent! Something fresh, not just an anti-hero who isn't the
best, this guy is bad! I just want to hang out with this bad man and
see what happens. Funny that.
There are a clutch of endorsements (quotes) on the back, but the
clincher for me was David Gemmell saying 'The most exciting debut
fantasy novel you will read this year.'
The main character is Ballas. Ballas? That's so brave it's cool, it's
like saying 'this guy is a complete sh*t' and I can't figure out why,
but the name is perfect. His intro and description is so funny
and
repulsive. He's bad. He's drunk. He does all the things we can't. He
gets so beaten up, and yet it's strangely funny, because he deserves
it. He's infested with lice. After a while you really want to know 'how
can we forgive him?' What is his story, so that we can root for him?
He's an underdog, and I naturally want the author to show me why he's
actually good, just misunderstood.
The opening chapter is great, with good double reversals ... he wins,
he loses, he wins, he loses. It' s full of squalor, rot and filth. The
plot goes charging ahead like a railway, simple but fast (if a bit
thin). Everything was good until about a third of the way into the
book, when the story failed, faded, and I became disillusioned.
Ballas causes a lot of senseless destruction, and because he is
ruthless, completely self-centred and dispassionate I never get
involved in his life. He doesn't change, he goes through no development
of character, and I tire of his wasteful murdering. It just becomes a
succession of events.
The book is like a bad action movie, with too many chase-and-fight
scenes that are transparently drawn out. There are elements of
the
plot which lack credibility, like a powerful mage who lets our hero
escape for no reason, and an enclosed, walled city full of Wardens
wherein none of them really find a trio of distinguished criminals.
The climax seems contrived. |
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I
bought the
book because I wanted to find out why this sh*t of a person is redeemed
- although he tries a little at the end, it's not really heroic because
he has no other life, no choice, he can't turn away, he's dying, so he
might as well sacrifice himself.
Good riddance.
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ABOUT THE REVIEWER
Greg Hamerton has been writing fantasy since 1999.
His Lifesong cycle begins with THE
RIDDLER'S GIFT. |
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